Loose Threads Dangle in Bright, Bold Gradients in HOTTEA’s Kaleidoscopic Installations

David J. Holcomb



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“John Sweet,” Houston. All pictures © HOTTEA, shared with permission

Suspended from gallery ceilings or strung across an open up courtyard, countless lengths of yarn comprise the chromatic installations by artist Eric Rieger, aka HOTTEA (earlier). He arranges the gentle textiles in concentric circles or huge gradients that stretch from wall to wall, producing vibrant fields of shade that shift in composition dependent on the perspective. Most reflect the artist’s reminiscences or experiences, and in modern years, he’s mounted site-specific parts in metropolitan areas like Minneapolis, Houston, and Miami.

The tri-coloured “Strangers” is HOTTEA’s biggest outdoor do the job to day and was developed for Breve Competition in Belo Horizonte. Drawing on his encounters in the Brazilian metropolis, the enormous, uplifting perform actions 100 ft very long and 30 ft broad, with the person yarns extending 13 ft. “The phrase ‘stranger’ normally times has a damaging connotation,” he shares on Instagram. “I liked the notion of referring to a stranger as a beneficial factor.”

Now, HOTTEA is performing on many installations for locations in Los Angeles, New York City, and Much Rockaway, New York. He’s also arranging a flash vogue show and collaborative job to produce non permanent pieces in the course of his group in the Twin Metropolitan areas.


“Algebra,” SCOPE, Miami

“John Candy,” Houston

Depth of “Haus,” Minneapolis

“Haus,” Minneapolis

“Strangers,” Belo Horizonte, Brazil

“Serape,” Minneapolis

Depth of “Serape,” Minneapolis

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